RED V-RAPTOR 8K vs KOMODO 6K – Image Quality Comparison - kingnormis
RED V-RAPTOR 8K vs KOMODO 6K – Picture Quality Compare
The next-multiplication of Ruby film cameras is getting into gear with the release of the V-RAPTOR 8K VV as the number one DSMC3 unfreeze and a follow-up to the thick KOMODO 6K. There are plenty of similarities between these two cameras, but in that respect are some very significant differences – notably with the upgraded 8K VV sensor in the V-Raptorial bird. This way you are going to be seeing a very different trope between the two models.
If you are curious how the V-RAPTOR performs and compares to the KOMODO, filmmaker Brandon Washington has performed a nice image timbre essa.
The V-RAPTOR tests are projected to be controlled. He wants to go over things like dynamic range, different resolutions, skin tones, and do some comparisons to the KOMODO. For lighting they have a book light with an Aputure Nova going into a 4 x 4' to resile through a 4 x 4' diffusion. On the other face there is a reflector for fill. Audio is being recorded externally since there aren't indigenous recording options so far. Then, there is an Aputure 120d for a hair light and a few RGB Tube Lights in the background as an accent.
Photographic camera settings are 8K at 24 fps with ISO 800, f/5, and 180-degree shutter along with a 5600K white balance. Information technology is in REDCODE RAW LQ. He is doing this starting time test with a variety show of different skin tones. The footage looks frosty and clean. The V-Raptorial bird appears to be even as massive as RED said it was.
Next up is seeing if in that respect is a strong difference between the MQ and HQ flavors of REDCODE RAW. There are in spades going to be differences in file size, only Brandon as wel wants to see about dynamic kitchen range. The results were that information technology is practically impossible to tell the changes between the different select settings. The file in sizes modification dramatically naturally. This was besides a unchanging shot with good lighting – non exactly ambitious the codec at all.
Image Credit: Red-faced
Now for the fun of seeing it compared to the KOMODO. Again, the same set, now with both the KOMODO and V-RAPTOR. The biggest change you'll run across is the Vista Vision sensor of the V-Raptorial bird having a dramatically different field of view compared to the KOMODO's Super 35mm image. You can actually match the answer on the VV sensor to a 6K Big 35mm area, though it looks like flat this is a bit wider than the KOMODO.
If you want a set of cameras and want to pair the KOMODO and V-Bird of prey information technology looks like you can get around very well-matched footage. Notes about the V-RAPTOR is that it will eat up your storage. Reasonable 60 seconds of 8K REDCODE RAW LQ wish take up 11GB of quad. Batteries are as wel getting burned through. 150Wh battery packs were getting drained over 80% in antimonopoly an time of day and a half.
The V-RAPTOR is fashioned for people who have the clock time and get-up-and-go (and money) to get the best possible image quality. The larger sensor and high-end recording formats deliver. Also, RED's workflows are in reality quite healthy these years with plug-ins getable for all the major NLEs.
Image Credit: Bolshie
Eve the modern font MacBooks with super optimized software program like Final Cut In favor of were handling the 8K RAW footage, at least in 4K timelines. Maybe the latest MacBook Pros will make working with this footage nobelium job the least bit.
High-tone unproblematic-to-work-with footage is going to be the key to the V-RAPTOR's success.
What are your thoughts on the V-Raptorial bird?
[source: Brandon Washington]
Order Links:
- RED V-RAPTOR 8K VV Movie house Camera (B&A;H)
- RED KOMODO 6K Cinema Camera (B&H)
Source: https://www.4kshooters.net/2021/11/01/red-v-raptor-8k-vs-komodo-6k-image-quality-comparison/
Posted by: kingnormis.blogspot.com
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